Red Brick, Black Mountain, White Clay

Red Brick, Black Mountain, White Clay

Reflections on Art, Family, and Survival

Book - 2012
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Penguin Putnam
New York Times 100 Notable Books of 2012

"Beautiful, haunted, evocative and so open to where memory takes you. I kept thinking that this is the book that I have waited for: where objects, and poetry intertwine. Just wonderful and completely sui generis." (Edmund de Waal, author of The Hare with Amber Eyes)

An unforgettable voyage across the reaches of America and the depths of memory, Red Brick, Black Mountain, White Clay follows one incredible family to discover a unique craft tradition grounded in America¹s vast natural landscape. Looking back through the generations, renowned critic Christopher Benfey unearths an ancestry--and an aesthetic--that is quintessentially American. His mother descends from colonial explorers and Quaker craftsmen, who carved new arts from the trackless wilds of the frontier. Benfey¹s father escaped from Nazi Europe--along with his aunt and uncle, the famed Bauhaus artists Josef and Anni Albers--by fleeing across the Atlantic and finding an eventual haven in the American South.

Bricks form the backbone of life in North Carolina¹s rural Piedmont, where Benfey¹s mother was raised among centuries-old folk potteries, tobacco farms, and clay pits. Her father, like his father before him, believed in the deep honesty of brick, that men might build good lives with the bricks they laid. Nurtured in this red-clay world of ancient craft and Quaker radicalism, Benfey¹s mother was poised to set out from home when a tragic romance cracked her young life in two. Salvaging the broken shards of his mother¹s past and exploring the revitalized folk arts resisting industrialization, Benfey discovers a world brimming with possibility and creativity.

Benfey¹s father had no such foundation in his young life, nor did his aunt and uncle. Exiled artists from Berlin¹s Bauhaus school, Josef and Anni Albers were offered sanctuary not far from the Piedmont at Black Mountain College. A radical experiment in unifying education and art, Black Mountain made a monumental impact on American culture under Josef¹s leadership, counting Robert Rauschenberg, John Cage, and Buckminster Fuller among its influential students and teachers. Focusing on the natural world, innovative craftsmanship, and the physical reality of materials, Black Mountain became a home and symbol for an emerging vision of American art.

Threading these stories together into a radiant and mesmerizing harmony, Red Brick, Black Mountain, White Clay is an extraordinary quest to the heart of America and the origins of its art.

Baker & Taylor
A history of American art from the colonial period to the 20th century traces the stories of the author's ancestors, describing his mother's family's work as folk-artist descendants of Quaker artist-explorer William Bartram and his father's family's struggles as exiled artists from Berlin's Bauhaus school. 25,000 first printing.

& Taylor

A history of American art from the colonial period to the twentieth century draws on the author's family story as the descendant of colonial craftsmen through his mother's line, and as the son and nephew of exiled artists from Berlins' Bauhaus school.

Publisher: New York : Penguin Press, 2012
Description: 291 p. : ill. ; 25 cm
ISBN: 9781594203268
Branch Call Number: 701.03 Ben


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Jun 24, 2015

This book is an appealing family narrative by an accomplished literary scholar. Multiple points of convergence between the author's ancestors and the history of art, particularly ceramics, anchor the story. The book contains a fascinating assemblage of historical details and artistic influences somewhat like The Hare with Amber Eyes.

Bluegrassgirl May 29, 2012

An unusual book - memoir and history of clay, artists and family - very exceptional and good to read. His writing is a pleasure whatever the topic.

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